Why I will never call video games a hobby

In the 1950s and 60s there was a whole series of films that asked the same fundamental question: what the hell are we doing when we go to the cinema? Hitchcock's Rear Window, Michael Powell's Peeping Tom and Michelangelo Antonioni's Blow Up, are all about the process of viewing and interpreting, often with a distinctly voyeuristic undertone. It's as though film-makers of the era were suddenly having a sort of existential crisis about their craft, and their audiences. Hang on, they were...

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