The Strangers: Prey at Night’s Only Value Is as a Reminder of What Made the Original a Masterpiece

The best thing you can say about The Strangers: Prey at Night, the sequel to writer-director Bryan Bertino’s 2008 home-invasion creeper, is that it reminds you the original exists. That’s not entirely a backhanded compliment: The Strangers is a minimalist horror masterpiece, a bottled-up experiment in terror that gains much of its strength from what it doesn’t do. Stranding Liv Tyler and Scott Speedman in a remote single-story house menaced by three masked figures, the movie unwinds...

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