The New Yorker’s Incredibles 2 Review Sexualizing Elastigirl Is Gross

There are only two scenes in all of Incredibles 2 where I enjoyed Elastigirl as a character. As many critics, including Slate’s Sam Adams, have noted, the Pixar sequel’s gender politics feel as midcentury as its aesthetic flourishes. When a new employer offers Elastigirl, but not her husband, Mr. Incredible, the opportunity to improve the reputation of superheroes, the married couple treat their suddenly reversed division of labor, in which she is the breadwinner and he the stay-at-home...


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