“Southpaw” Is a Throwback—in the Worst Way

The boxing drama “Southpaw” has the chilling feel of a movie made to fit the requirements of a dictatorship—not a political one but, rather, a bureaucratic one. The creations of the director, Antoine Fuqua, and the screenwriter, Kurt Sutter, seem to have been freeze-dried, cut into card-sized tiles, and laid out sequentially—sustaining only the shallowest definition of character, connected only by the thinnest string of motive, and hermetically isolated from the...

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