Sound Designer Julian Slater On His “Lightning In A Bottle” Moment With Sound-Centric ‘Baby Driver’

In Baby Driver, his fifth collaboration with writer-director Edgar Wright, sound designer Julian Slater found perhaps the greatest challenge of his career that was also his greatest opportunity: a cinematic vehicle that was all about sound. Ever since 2004's Shaun of the Dead, Slater had become accustomed to Wright's desires to push boundaries with cinema, with awe-inspiring images and the sound to back them up. In Baby Driver—a film where sound is a character in its own…

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