Review: “Hellboy” remake can not save itself from damnation

Neil Marshall’s “Hellboy” (2019) has the aesthetic sensibility of a Hot Topic: It’s cheap, insincere and reminds you of other places you’d rather be and other films you’d rather see.

Marshall’s reboot follows Guillermo del Toro’s superior “Hellboy” duology, which captured the creeping, dread-filled intensity of Mike Mignola’s comics. Even as darkness drew near and evil grew strong, there was still an eerie beauty in del Toro’s world: Squamous, Cthuloid terrors and...

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