Meeting Movies Where They’re At: Why Many Critics’ Approach Grading Blockbusters Is Wrong

If you have taken a look at my review for Godzilla: King of the Monsters (2019), you already know where I fall on the latest deep-trenched cultural battleground.  I kind of fell in the middle when it came to Garth EdwardsGodzilla (2014), which employed the time-tested, structurally sound approach of Jaws (1975) and even The Incredible Hulk (2008) in withholding the titular monster for as long as possible in order to build up tension, suspense and eventual, cathartic payoff while...

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