“Gold” and “Dark Night”

The kinship between cinema and gold is a long and lustrous one. Both are bedded deep in the history of California. Both give rise to tales of near-insanity, of alliances formed and broken, and of schemes to get rich quick that last, unfulfilled, for years. The inability to tell the real thing—a nugget or a hit—from the fool’s variety is perpetual, and the thought of a lucky strike feeds every other craving, as if the quest were more important than the find. Hence the opening shots of...

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