Fantastic Fest Review: ‘Let The Corpses Tan’ Is A Bonkers, Beautiful, Confusing Exploitation Homage

Fantastic Fest

Described in the program as a “giallo in its purest form” (a genre with which I can’t pretend extreme familiarity), Let the Corpses Tan, a film out of Belgium from directors Hélène Cattet and Bruno Forzani, is basically shot as if the entire thing lives in the gun fight from The Good The Bad and the Ugly — dramatic close-ups, epic music, stylized sex and violence. It’s the kind of tits n’ splatter film that will juxtapose a squint, a gun hilt, a bead of sweat,...

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